This has nothing to do with my setup. MC recordings with ambience only in the rear do just that. While this recording has clearly discreet instrument placing in the surround ...
I recently purchased this set. I love it! I must admit I didn't know these works before. I'm surprised this wonderful music doesn't get recorded more often.
The sonics are ...
Thanks for your excellent review Adrian. No mention was made of Sound Mirror in your review?
This begs the question of recording format used as the names mentioned in ...
Indeed, John, no Soundmirror. Original Recording Format: PCM 192 kHz. Hence half a star missing. As I suggested, this release is not meant to supersede your best choice.
Thank you Adrian for your review! Of course, I agree, this is a wonderful release. I've listened to it many times now since downloading the DXD 352.8/32 surround version. I ...
Indeed! In June they will also release Milstein's recording of Bach's Sonatas and Partitas. A great set! The thing is, though, that Tower Records released this one on SACD not ...
1 of 1 recommend this, would you recommend it? yes | no
All
Recording
Giulio Cesare Ricci at Museo Piaggio, Pontedera, Italy in DSD on the Pyramix Recorder using dCS A/D and D/A converters on November 2015
Comments (1)
Comment by Rafael Méndez - April 12, 2023 (1 of 1)
It is an extraordinary sounding album (in fact one of my favorite demo albums). The bass sound is absolutely natural, the atmosphere intimate, and Bianchini's voice wonderful. The selection of pieces is unthinkably eclectic, but they flow with total fluidity, ranging from Paul Simon (Heart and Bones) or Noel Gallagher (Wonderwall) to an incredible traditional Venezuelan composition (Pajarillo Verde). The album is a gem-
Related (6)
Click here to report errors or omissions in the music details.
Comment by Rafael Méndez - April 12, 2023 (1 of 1)
It is an extraordinary sounding album (in fact one of my favorite demo albums). The bass sound is absolutely natural, the atmosphere intimate, and Bianchini's voice wonderful. The selection of pieces is unthinkably eclectic, but they flow with total fluidity, ranging from Paul Simon (Heart and Bones) or Noel Gallagher (Wonderwall) to an incredible traditional Venezuelan composition (Pajarillo Verde). The album is a gem-