Hesketh: Horae (pro clara) - Hammond

Hesketh: Horae (pro clara) - Hammond

BIS  BIS-2193

Stereo/Multichannel Hybrid

Classical - Instrumental

Kenneth Hesketh (b. 1968): Through Magic Casements (2008); Horae (pro clara) (2011/12); Notte Oscura (2002); Three Japanese Miniatures (2002)

Clare Hammond (piano)

Following up on Etude and Reflections, her recent, highly acclaimed releases on BIS, Clare Hammond performs music by her compatriot, the British composer Kenneth Hesketh (b.1968). Hesketh's stimuli are broad and include classical architecture, medieval iconography, poetry and Bauhaus constructivism; in her liner notes, Clare Hammond describes his works for the piano as 'music of phenomenal depth in which there is always something new to discover, something to surprise even the most jaded ear.'

The centrepiece of the disc is Horae (pro clara), composed for Clare Hammond: a 40-minute cycle in twelve parts which together form a breviary or miniature book of hours. None of the movements are titled, but many are provided with evocative performance directions, such as ‘as fleet as the tiniest humming bird' and ‘impishly sardonic’. Some also incorporate literary references, such as a quote from 1 Corinthians in the twelfth: ‘for now we see through a glass, darkly’. Each piece explores various compositional ideas, and thematic material is shared across the set.

The three shorter works that frame Horae are all earlier works, two of them having their origins in music composed for other forces. Notte Oscura was written in 2002 and is essentially a piano transcription of music from Hesketh’s opera The Overcoat, after Nikolai Gogol's short story. Composed in the same year, Three Japanese Miniatures develops material from another stage project, a puppet ballet based on Japanese folk tales entitled The Record of Ancient Matters. The work that opens the disc, Through Magic Casements from 2008, takes its title from another literary source: Keats’ poem Ode to a Nightingale. Many of the sonic effects seem to echo imagery in the poem, and the music evaporates at the end, as in Keats’ poem: ‘Fled is that music: – do I wake or sleep?’

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PCM recording
Comments (4)

Comment by Jon Benger - April 20, 2016 (1 of 4)

Delighted to find this available for download in 5.0 high resolution format.Sounds spookily realistic in my listening room!

Comment by David Weber - April 20, 2016 (2 of 4)

It appears BIS 5.0 downloads are finally available from eClassical, and for no extra charge for previous purchases! Time to invest in an exaSound e28.

Comment by William Hecht - April 20, 2016 (3 of 4)

Would one or the other of you like to comment on the music as opposed to the wonders of mc downloading? This isn't exactly household name repertoire and I'd be interested in seeing something about it.

Comment by William Hecht - July 5, 2016 (4 of 4)

Kenneth Hesketh was totally unknown to me but I decided to take the plunge based on Clare Hammond's two previous recordings for BIS, and I'm happy that I did. The music itself isn't easy, you won't go away humming any tunes, but it's thought provoking and amply rewards the concentration that it demands. Because of those two earlier discs I expected pianism of a high order, but this is something else entirely. Clare Hammond's performances here are absolutely sensational, bordering on the unbelievable even if the main piece was written expressly for her. Fantastic!