Beethoven: 5 Piano Concertos - Minnaar / de Vriend

Beethoven: 5 Piano Concertos - Minnaar / de Vriend

Challenge Classics  CC 72763 (3 discs)

Stereo/Multichannel Hybrid

Classical - Orchestral

Beethoven: 5 Piano Concertos

Hannes Minnaar (piano)
The Netherlands Symphony Orchestra
Jan Willem de Vriend (conductor)

Here is the box containing Beethoven’s five Piano Concertos performed by Hannes Minnaar and The Netherlands Symphony Orchestra under the baton of Jan Willem de Vriend. So far two single volumes had been issued: while the one including Concertos nos. 4 & 5 was acclaimed by Gramophone as: "beginning a Beethoven cycle with the Fourth and Fifth Concertos is a bold move but one that pays off in all sorts of ways", the same magazine welcomed the disc with Concertos nos. 1 & 2 for “its pleasing mix of finesse and drive”.

Now the box also offers the so far unissued Concerto no. 3.

Despite the very large number of recordings already made of this musical corpus, Minnaar and de Vriend have proved that they have something new and totally their own to say about this collection of masterpieces. And it is indeed the peculiar blend of sheer energy and esprit de finesse that can be identified as the distinctive brand or these recordings.

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Reviews (1)

Review by Adrian Quanjer - June 4, 2017

I’ve been following this remarkable musician for some years now, noting at every new release how quickly he developed as an artist. Real talent grows fast. But it needs a strong character and the right support and environment to survive. This Beethoven set proves that Minnaar is right on track to become the sort of musician music lovers dream about.

In my review of his first release in high resolution (Beethoven: 10 Violin Sonatas - van Keulen, Minnaar) I suggested that Minnaar, a new star in the making, was “showing respect towards an older colleague, taking the lead when asked for, leaving room for his partner whenever possible”. He seemingly didn’t want to be an ‘imposing’ partner. In my second review (Beethoven: Piano Concertos 4 & 5 - Minnaar / de Vriend) Vol. 1 of the Beethoven set, I signaled that “Power play doesn’t seem to be Minnaar’s trade” and pointed at “the stimulating input of Jan Willem de Vriend”, resulting in a perfectly balanced and memorable performance. A winning couple, one might say. Equals at work.

As his star continued to rise, things started to further mature as shown in the next Beethoven volume (Beethoven: Piano Concertos 1 & 2 - Minnaar / de Vriend). His growing artistic charisma became a factor of inspiration for others: “Here we have a soloist playing with an orchestra, rather than an orchestra playing for a soloist”. I must assume that thanks to nature and understanding of Jan Willem de Vriend, whose mildly idiosyncratic style I have come to appreciate over the years, this once again led to a perfect and mutually respected harmonious unity, stemming, as I see it, from a consistent feeling that music always comes first.

With this new set in front of me, and now listening to Beethoven’s third piano concerto, I can confidently say that Minnaar, 3 years since, has reached the coveted level of confirmed personality, able to put a superbly well-judged stamp on a common reading of all concerned, demanding my respect, as well, as I’m sure, from many of an almost over crowded field of top competitors.

As I have commented on the separate volumes containing 1, 2, 4, and 5, I will limit myself here to Concerto 3, Op. 37, occupying a single disc (CD 2, out of three) with a total time of no more than 34:40. Thus leaving ample space to include, for instance, the Triple Concerto, in which Minnaar could have been joined by his Van Baerle Trio partners. Challenge Classics has decided otherwise. And looking at it as a set, we must admit that other sets consist of three discs as well, with mostly The Emperor covering the single one. Though realizing that many will be disappointed, I’m perfectly happy having extended silence after the third concerto to let the musical thrill linger on for a while. Besides, we already have a hardly to be bettered Challenge Classics recording of the Triple Concerto with De Vriend, the same orchestra and the Storioni’s as solo team.

Were Nos. 1 and 2 still written in the tradition of Mozart’s mature output, with his Third Beethoven entered into a new era, taking Mozart’s piano concerto KV 491 only as a model and point of departure for developing his own musical thoughts. Although 4 and 5 are seen as the culmination, some, like me, have a soft spot for 3. The outer movements are full of heroic drama, wit and virtuosity, whereas the second movement, with its inward looking intimate emotion is, in my view, almost and perhaps with a possible exception for the beautiful adagio in the fifth, second to none.

Right from the start De Vriend sets the heroic tone. I simply love his brass and kettles. Although De Vriend has in the meantime moved to his new home (The Hague Philharmonic) the completing disc is still with his former Netherlands Symphony Orchestra from the Eastern part of the Netherlands, which he has so expertly remodeled into a hybrid HIP band, replacing the brass with valve less period instruments, using sticks for the tympani and letting the strings play without vibrato.

During the first 111 measures, the soloist bides his time. But when Minnaar finally enters, it is in a decisive way. From there on he is the engine, with an exceptional mix of mastery and complicity. The expression ‘hand in glove’ springs to mind, where Minnaar is the hand and De Vriend c.s. the glove. Together they present an almost impossible to duplicate sound image with a modern (specially tuned) grand and a full symphony orchestra in historical mode. In Beethoven’s piano concerti the first movements are always the longest, but these more than 17 minutes of glorious playing are gone far too quickly. Usually a good sign, and it is. The cadenza is Beethoven’s, but the execution is thoroughly Minnaar’s.

In the second movement, we enter a world of enchanting magic. Minnaar complies with full expression, fluent tenderness and strong imagination. His 'toucher' is elegant yet decisive. Starting with pensive sensitivity, framed in an embracing orchestral support, building into emotional momentum and ending in loving kindness.

The concluding rondo is flashed in a whirlwind of colours and shades. It is as martial as it is uplifting. An astounding combination. De Vriend is at the helm and Minnaar is the captain, both contributing to painting a sunny-side-of-the-street picture with melodies that won’t easily leave your head afterwards. After Minnaar’s short cadenza the final movement comes to a brilliant end.

The big question now is, how does Minnaar & Co measure up to the (fierce) competition? For comparison I brought to the surface the early, much acclaimed 1983 Philips CD stereo set with Alfred Brendel and the Chicago Symphony / Levine (which I find - in artistic sense - better than the later one with the Vienna Philharmonic / Rattle). Both sets are different. In the first place, as said above, De Vriend’s marked, personal vision, so evidently shared by Minnaar, as well as the hybrid sound image; something that no one else has (Note: Brautigam’s set is totally ‘period’). The Chicago Symphony has its solid and exclusive American sound, but nowadays feels a bit dated and Levine’s conducting is, to modern ears, heavier and with slower tempi, but all the same of great manufacture .

As for the soloist: Brendel, already widely respected at that stage in his career, automatically draws attention. His playing surely appeals to everyone appreciating the Vienna touch with a technically well-polished approach, his often light 'toucher' giving at times the feeling that he is dusting the keys. Minnaar is more a combination of a sober Northerly perfectionist with exiting French flair, (compare his wonderful solo disc Fauré: Piano Music - Minnaar) both characteristics intertwiningly co-existing in his Beethoven. Taken all these elements together, I’d say that this set is hardly comparable with anyone else’s. It has a value on its own. At least that is how I see it and how I like it.

Are there no issues? As in most other sets, there are, depending on how you look at, or rather listen to it. Some may find that in the tuttis the orchestral balance between the violins and the wood winds is less expressive as one would expect and whished for from a more period oriented orchestra. Matter of taste, as always. Nothing to be too worried about. Many may not even notice it.

In conclusion: On the whole a fine set, with one more thing that few have: An exquisite sound quality. A not to be neglected asset for all those in the Hi-Res league. Bert van der Wolf of North Star Recording Services being your constant guarantor.

Finally, it may be worth mentioning that concerto 3 is available separately from Challenge Records as ‘digital download only’. But then the price is a bit steep for 34 + minutes. So, my advice: Buy the set at a special price from our trusted partners.

Normandy, France.


New Arts International inform me that a seperate disc with the 3rd piano concerto is now available in a limited quantity on their site for a special price:

Copyright © 2017 Adrian Quanjer and


Sonics (Multichannel):

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Comments (12)

Comment by Adrian Quanjer - June 5, 2017 (1 of 12)

A comment pertaining to my own review.

Half a star more or half a star less. I found that violins and brass overshadow the wood winds in the tuttis. Not exceptional in most cases, if it weren’t for the fact that in a quasi-HIP set up the balance between the string section and the wood winds usually is a different one. A minor thing in the face of the high quality of the whole set. Should I have deducted half a star? And from what? The recording team, who could have electronically corrected the balance? From the interpretation, as the conductor is responsible for the overall balance? It certainly wasn’t Minnaar. But that is just what readers will retain.

It raises the question: To star or not to star. I know I’m not alone in thinking that the text should speak for itself. On the other hand, it helps readers in their choice and also to have in the data base an indication that a disc has been reviewed and how.

Comment by SteelyTom - June 5, 2017 (2 of 12)

Adrian, I greatly appreciate your reviews. As hi-res listeners we have high standards, and if there are sonic issues, whether the one of improper balance you identified or engineering errors, it's important to note them, even if they might strike some readers as minor. Thanks for the comment.

Comment by Adrian Quanjer - June 5, 2017 (3 of 12)

There is a no sonic deficiency. It’s is a matter of choice. Between a smaller string section (like in the BIS set with Brautigam) or the hybrid approach from De Vriend where the wood winds stand out less clearly. The sonics of the set are above all suspicion. I mentioned it so that one knows. Most people may not even notice it. As I said it's only a minor thing. The lesson: I should not have commented my own review and not have used the word 'drawback' in the review. A language matter. English is not my mother tongue. It is corrected now. Thanks for bringing it to my notice.

Comment by hiredfox - June 6, 2017 (4 of 12)

This seems to me to be an expensive and very unfair way for Challenge Classics to release Minnaar's final Piano Concerto (No 3) of his survey however good it may be. I will not be buying unless they release it as a single SACD. Enough is enough!

Because our community is eccentric enough to support SACD it does not mean that we are rich enough not to notice such extravagance. Please think again!

Comment by Adrian Quanjer - June 6, 2017 (5 of 12)

Hi John,
Thanks for your comment. It is indeed a point for reflection. There is, of course, the possibility to use the digital download, to be found here for Hi-res stereo :

Strangely enough I found it as a separate in the shop on the web site of the ‘Orkest van het Oosten’, suggesting that it may be available in physical format as one can list interest under the button ‘notification’. But…. If you use the site in English it says: download only, but it doesn’t if you change language to German or Dutch.

I phoned them to find out and was promised an answer (as the lady didn’t know). So, I’ll be back to you (and others who think that their leg has been pulled)


Comment by Adrian Quanjer - June 8, 2017 (6 of 12)


Good news for you (and others): The seperate disc (concerto 3) is available for sale directly from the orchestra. It's NOT available in the shop on the site. I got this from Lies Rubingh, Marketing & Communications.
As discs for sale at concerts are often CD only (like Robert once told us), Lies joined a photo of the back cover that holds all the goodies about the format we want. She says that orders can be placed via Price (surprice!) € 12,95 plus postage.

Cheers, Adrian

Comment by hiredfox - June 10, 2017 (7 of 12)

Adrian, many thanks indeed for your investigation and for sharing the outcome. This is certainly worth following up. As you suggest it may be only a CD that she has mentioned. If a SACD seems very odd not to make it available generally. Of course that would scupper sales of the box-set to many collectors.

Comment by Adrian Quanjer - June 10, 2017 (8 of 12)

I cannot copy the photo here, but this is what it says: DSD Multi-Ch Stereo. Should be OK. One can always specify when mailing.

Comment by hiredfox - June 18, 2017 (9 of 12)

I have e-m'd them but seems they can't be bothered to reply. Maybe not available to UK but wish they'd tell me one way or the other.

Comment by Adrian Quanjer - June 19, 2017 (10 of 12)

See the update to my review. I do hope it will work. They say: "free shipping in the EU", so hurry up before it's to late! (No offence meant, all my English friends can stand these kind of jokes. The French won't).

Comment by hiredfox - June 25, 2017 (11 of 12)

Adrian, that's great. I have used the link and placed my order.

It must be that they have decided to issue this disc as a limited edition only because of the pressure you have put on them to do so - very well done to you, a great service to our community. I hope many others will follow me with orders, which will encourage Challenge to keep producing SACD.

Je vous remercie beaucoup. Je suis un "Remainer"!

Comment by hiredfox - July 8, 2017 (12 of 12)

My copy of the 3rd as a stand alone disc has arrived. It is only 33m long but the fact that it exists at all is solely through the efforts of Adrian working on behalf of all colleagues of hraudio,net. Thank you Adrian for your determined endeavours. Support the label by buying this special release and so offering them an incentive to keep going with SACD