A Pleasing Melancholy: John Dowland's Lachrimæ Pavans and sundry sorrowful songs - Kirkby / Akers
Classical - Vocal
John Dowland: Lachrima, or Seven Tears, M. George Whitehead his Almand, Paduan, Volta Flow my tears, If floods of tears, Mourn, mourn, day is with darkness fled, Sorrow, come
Robert Jones: Lie down poor heart
Tobias Hume: What greater grief
John Danyel: Eyes look no more, If I could shut the gate
Anthony Holborne: My heavy sprite
Emma Kirkby (soprano)
James Akers (lute)
Chelys Consort of Viols
‘A pleasing melancholy’ is how Robert Burton described the feeling that certain music can give rise to, in his The Anatomy of Melancholy from 1621. Some 20 years earlier John Dowland, melancholic par excellence, had expressed a similar idea in the dedication of his Lachrimae, or Seven Tears: ‘pleasant are the tears which music weeps’. During this period in England, melancholia had become fashionable, especially in cultural and literary circles, and spawned countless poems, paintings and songs. When Dowland’slute song Flow My Tears was published in 1600, the instrumental Lachrimae Pavan on which it was based had been in circulation for several years and was the composer’s ‘number one hit’ both in England and on the continent –and four years after the song, he returned to the music and varied it in the ‘seven tears’ for viol consort and lute.
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- John Danyel: Eyes look no more
- John Danyel: If I could shut the gate
- John Dowland: Flow my teares (The Second Booke of Songes or Ayres)
- John Dowland: If Floods of Tears could Cleanse My Follies Past (The Second Booke of Songs or Ayres)
- John Dowland: M. George Whitehead his Almand (Lachrimæ or Seaven Teares and other consort music)
- John Dowland: M. John Langtons Pavan (Lachrimæ or Seaven Teares and other consort music)
- John Dowland: Mourne, mourne, day is with darknesse (The Second Booke of Songes or Ayres)
- Anthony Holborne: My heavy sprite
- Tobias Hume: What greater grief
- Robert Jones: Lie down poor heart