Karayev: Orchestral Works - Karabits

Karayev: Orchestral Works - Karabits

Chandos  CHSA 5203

Stereo/Multichannel Hybrid

Classical - Orchestral

Kara Karayev: The Seven Beauties - Orchestral Suite, Don Quixote - Symphonic Engravings, Leyla and Mejnun - Symphonic Poem, Lullaby from the Ballet 'The Path of Thunder'

Bournemouth Symphony Orchestra
Kirill Karabits (conductor)

This set of idiomatically lyrical, rhythmic, and colourful interpretations by the Bournemouth Symphony Orchestra and its Chief Conductor, Kirill Karabits, who appears on Chandos for the first time, marks the start of a new series dedicated to lesserknown composers from former Soviet Union countries.

The Azerbaijani composer, teacher, folklore authority, and artistic dynamo Kara Karayev was at the forefront of his country’s musical life for almost four decades after the end of the Second World War, recognised as among the significant composers of the post-war Soviet Union. His compositions draw their material from his nation’s folk music as well as his personal voice, which emanated from Shostakovich and Prokofiev, Tchaikovsky’s ballets, and the fantasy operas of Rimsky-Korsakov.

At the dawn of Karayev’s centenary, Kirill Karabits pays homage to the composer by exploring some of his best-known works: the Persian-inspired orchestral suite The Seven Beauties (later expanded into a full-length ballet), a movement from the ballet The Path of Thunder, the exuberant Don Quixote (drawing on music for a film), as well as the symphonic poem Leyla and Mejnun, after a poem which Byron called ‘the Romeo and Juliet of the East’.

Support this site by purchasing from these vendors using the paid links below.
As an Amazon Associate earns from qualifying purchases.

Add to your wish list | library


4 of 4 recommend this, would you recommend it?  yes | no

PCM recording
Comments (12)

Comment by hiredfox - September 2, 2017 (1 of 12)

This was the new contractual relationship between Chandos and the Bournemouth Symphony Orchestra that I referred you to earlier on another thread.

Karabits is good at digging out obscure music like this and presenting it to new audiences, we get this sort of thing quite regularly down at the Lighthouse Concert Hall. Believe it or not we sold out 2500 seats for a Bruckner symphony under his baton last season (in Poole). Last night at a RAH Prom in London that I attended the RCO under Daniel Gatti could not fill the hall - with about 75% attendance - for Bruckner's 9th. Puts it in perspective. That's the problem with London audiences, anything requiring a modicum of concentration and insight goes way beyond them. They do love their pop music 'though ;-)

Last night's performance by the way was beyond superb a treat even for this jaded old critic! For those that have access to the BBC i-Player, try not miss it.

Comment by William Hecht - September 2, 2017 (2 of 12)

OK, John, I've put it on my wish list and will order as soon as it appears on Presto.

Comment by hiredfox - September 2, 2017 (3 of 12)

This is what I have learned so far Bill. Karabits is a native of Kiev and has introduced us to many fringe composers - including his late father - from a region that otherwise would not have registered "in the west".

Comment by William Hecht - October 7, 2017 (4 of 12)

Well, John, congratulations on what deserves to be a very successful start to the new relationship with Chandos. Commenting on the musical aspects of a disc when one has absolutely no standard of comparison is hard, but put simply this is some of the most beautiful music I've heard in years. The liner notes, by Andrew Burn say this: "while indebted to the idioms of folk music, his personal voice emanates from Shostakovich and Prokofiev, as well Tchaikovsky's ballets and the fantasy operas of Rimsky-Korsakov." Not knowing a thing about Azerbaijani folk music I can't comment upon the former assertion, but among the four composers listed Rimsky and Prokofiev at his most lyrical are the real source of any "emanations". Tchaikovsky ballets, certainly, here and there, but Shostakovich? Maybe in other parts of Karayev's oeuvre, but not much in these pieces.

The sound is very fine, perhaps a little bass shy, but again since I have zero previous exposure to these works how would I know? I hope Karabits and Chandos have many more such interesting discoveries in the pipeline.

Comment by hiredfox - October 8, 2017 (5 of 12)

Hi Bill. That's wonderful, so glad you liked the new disc. Actually you are ahead of me as I was expecting to pick up a copy at Wednesday evening's season opening concert but the Marketing Manager had mislaid the key to the storage cupboard! He promised to have it ready for me this week.

That's the way it is in our part of the world with none of the old fashioned business efficiency nonsense to interfere with the usual smooth running of our orchestra.

Comment by Euell Neverno - October 16, 2017 (6 of 12)

To me these Karayev works sound like recycled Khachaturian. But then, they both came from roughly the same part of the world. If you like orientalism, movie music and occasional big trombone writing, you will warm to this. The Chandos recording is Ok, but there is undeniable sibilance in parts in the stereo track

Comment by hiredfox - October 17, 2017 (7 of 12)

Certainly an East meets West kind of sound that has a certain appeal perhaps but for me the music lacks a clear voice of its own. The Chandos recording in stereo is a too broad brushed with a disappointingly narrow sound-stage and a lack of intimacy through a sparsity of inner detail perhaps because of unfamiliarity with the orchestra and the Concert Hall.

Comment by William Hecht - October 18, 2017 (8 of 12)

Hi John, I'm sorry to hear this didn't meet your expectations. Hopefully there will be things that appeal to you more somewhere down the line. For me there's always room for music that's just beautiful and can be played for an hour's relaxation at the end of the day when I don't want to think about it too much or be challenged to contemplate the big issues of life. This fits that requirement quite well. As for the sound, well you know the orchestra and the hall so I'll defer to your judgment to the extent that you stereo guys and we mc guys aren't really listening to the same recording anyway, and yes, it's not a typical Chandos sound, even in mc. What I described as maybe a little bass shy might better be described as lovely but not very impactful (like the music itself). In any event as my shelves buckle under the weight and new recordings continue to arrive from the UK every week I'm much happier to have this and other off the beaten track repertoire than the nth version of one or another Mahler symphony. Here's a link to an MWI review by Dan Morgan (with whom I rarely agree and who I think goes over the top here)

Comment by hiredfox - October 20, 2017 (9 of 12)

I wasn't sure what to expect from this composer as his name was completely new to me. Karabits had not exposed his Bournemouth audience to any of these works to test the water so to speak even though he is apt to spring a few left field choices on us each season. The release of this disc came as a genuine surprise.

I agree with you about the immediate appeal of the music but it betrays overly strong influences of other composers such as Mahler and Tchaikovsky.

Comment by hiredfox - November 23, 2017 (10 of 12)

To my utter astonishment Music Web International have marked this up as possibly their candidate for best recording of the year... "it's that good!"

Is this still Planet Earth?

I need help here!

Comment by William Hecht - November 23, 2017 (11 of 12)

Earth to John,

Since this one is due, at least in part, to your own good efforts maybe you should try to forget it's the kind of music that bores you to tears and just bask in the glow of success. The critical acclaim has got to enhance the prospects for future sacds from your orchestra. And I'm grateful.

Comment by hiredfox - May 10, 2024 (12 of 12)

Sadly, Kirril Karabits's fifteen year tenure as Chief Conductor of the Bournemouth Symphony Orchestra comes to an end with a final concert at The Lighthouse, Poole on Wednesday 15th May 2024.

Kirril will end with a flourish, Shostakovich's 5th Symphony and bring the curtain down on an era in which he has raised this provincial orchestra into a world class ensemble of international renown. He will assume the title of Conductor Laureate, Voices from the East so his connection with the orchestra will not end entirely but occasional guest appearances will not dampen the blow of losing the second longest serving ever conductor of the BSO and by far the most popular.

Mark Wigglesworth will succeed him but do not expect any further SACD's from this stable. There is a distinct lack of enterprise around The Lighthouse these days.