Piston, Jones & Albert: American Symphonies - Friedel

Piston, Jones & Albert: American Symphonies - Friedel

BIS  BIS-2118

Stereo/Multichannel Hybrid

Classical - Orchestral

Walter Piston: Symphony No. 6
Samuel Jones: Symphony No. 3 'Palo Duro Canyon'
Stephen Albert: Symphony No. 2

London Symphony Orchestra
Lance Friedel (conductor)

When American composers began writing symphonies around the mid-1800s, their works were very much in the European tradition. During the first half of the 20th century, the great innovator Charles Ives injected a recognizably American sound into the genre, however, and since then the American symphonic legacy has been both wide and varied. With the present disc, conductor Lance Friedel strikes a blow for three fellow American composers, with the help of the eminent London Symphony Orchestra.

The disc opens with Walter Piston’s Symphony No. 6. It was completed in 1955, by which time many regarded Piston (1894–1976) as clinging to tradition in the face of modernism. When Samuel Jones (b. 1935) presented his Third Symphony ‘Palo Duro Canyon’ in 1992, the pendulum was swinging back, however, and traditional music built of melody, harmony and rhythm was no longer considered hopelessly outdated. The work nevertheless begins in a rather non-traditional fashion with the recorded sound of the wind of the Texas plains, where the Palo Duro Canyon is situated. Jones’s slightly younger colleague Stephen Albert (1941–92) was just completing his Second Symphony when he was killed in a car accident. The work had been commissioned by the New York Philharmonic, and the orchestration of it was completed by Albert’s colleague and friend Sebastian Currier.

Support this site by purchasing from these vendors:
Presto Classical


Add to your wish list | library


4 of 4 recommend this, would you recommend it?  yes | no

PCM recording

Recorded in April 2017 at the Henry Wood Hall, London, England, 24/96

Producer: Robert Suff

Sound engineer: Fabian Frank (Arcantus Musikproduktion)

Recording equipment: BIS’s recording teams use microphones from Neumann, DPA and Schoeps, audio electronics from RME, Lake People and DirectOut, MADI optical cabling technology, monitoring equipment from B&W, STAX and Sennheiser, and Sequoia and Pyramix digital audio workstations.

Post-production: Editing: Jeffrey Ginn
Mixing: Fabian Frank, Robert Suff

Executive producer: Robert Suff
Comments (3)

Comment by Euell Neverno - June 14, 2018 (1 of 3)

Well played and recorded. Enjoyable, tonal and NOT boring.

Comment by hiredfox - June 17, 2018 (2 of 3)

Piston does not get aired much these days. I bought a collection of his symphonies on CD but have not played them for many years. This one caught my eye and as you like the recording I'll re acquaint myself with him. Thank you.

Comment by Adrian Quanjer - June 21, 2018 (3 of 3)

Try out his two violin concerti. They are quite exceptionel.