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Dun: Violin Concertos 'Fire Ritual' - Hemsing, Dun

Dun: Violin Concertos 'Fire Ritual' - Hemsing, Dun

BIS  BIS-2406

Stereo/Multichannel Hybrid

Classical - Orchestral


Dun: Violin Concerto 'Rhapsody and Fantasia', Violin Concerto 'Fire Ritual'

Eldbjørg Hemsing (violin)
Oslo Philharmonic Orchestra
Tan Dun (conductor)


The first encounter between Chinese composer Tan Dun and Norwegian violinist Eldbjorg Hemsing took place in 2010 during the Shanghai World Expo, when Hemsing premiered Tan’s Love Concerto. Both have strong roots in the rich musical traditions of their native countries, and out of this meeting a fruitful collaboration has developed which also involves an investigation of the music that happens here and now. In Hemsing's words, the encounter ‘opened up my musical horizons’ and she has since premiered and performed a number of the composer's works internationally.

Fire Ritual, the concerto that lends its name to the present disc, was composed with Hemsing in mind. With it Tan Dun has created a musical ceremony for the victims of war, building on four themes: Cruel Wars, Innocent People, Mantras of the Heavenly Birds and Eternity. The concerto was premiered in September 2018 by Hemsing and the Oslo Philharmonic, conducted by the composer. For Eldbjorg Hemsing, Tan Dun has also created the concerto that opens the disc, Rhapsody and Fantasia, based on earlier works. Both works reflect the composer’s memories of growing up barefoot in the countryside, and his later experiences of bringing together the shamanistic and spiritual world of his childhood with the discipline and philosophy of Peking Opera. Or in the composers own words: ‘a reflection of those early memories of my youth, but through the lens of my current musical soundscape’.

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PCM recording

Recorded in September 2018 at the Oslo Concert Hall, Oslo, Norway, 24/96

Producer: Ingo Petry (Take5 Music Production)

Sound engineer: Fabian Frank (Arcantus Musikproduction)

Recording equipment: BIS’s recording teams use microphones from Neumann and Schoeps, audio electronics from RME, Lake People and DirectOut, MADI optical cabling technology, monitoring equipment from B&W, STAX and Sennheiser, and Sequoia and Pyramix digital audio workstations.

Post-production: Editing and mixing: Ingo Petry

Executive producer: Robert Suff