Berlioz: Symphonie fantastique - Davis
Chandos CHSA 5239
Classical - Orchestral
Berlioz: Symphonie fantastique, Fantaisie sur la Tempête de Shakespeare
Toronto Mendelssohn Choir
Toronto Symphony Orchestra
Sir Andrew Davis (conductor)
The Fantaisie sur la Tempete de Shakespeare was composed shortly after Berlioz had won the coveted Prix de Rome (at the fourth attempt) with his cantata Sardanapale, and was originally conceived as a concert overture, with chorus. After various re-workings of the material, the four movement Fantaisie, as recorded here, became the finale of Berlioz’s ‘monodrama’ Lélio – a juxtaposition of existing material interlinked with dramatic monologues recited by the ‘artist’ at the centre of the work.
Symphonie fantastique, Berlioz’s best-known work by some distance, remains an evergreen in the orchestral repertoire, and beloved of audiences the world over. The idiomatic approach to orchestration, grounded in Berlioz’s musical training in French provincial wind-bands, and the revolutionary approach to the prevailing conventions of musical form at the time shine though in the five-movement masterpiece, which remains one of the most vividly programmatic symphonies ever written.
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Recorded from 20 to 22 September 2018 at the Roy Thomson Hall, Toronto, Ontario, Canada, 32/352.8
Executive producer: Ralph Couzens
Recording producer: Blanton Alspaugh (Soundmirror Inc.)
Sound engineer: John Newton (Soundmirror Inc.)
Mixing engineer: Dirk Sobotka (Soundmirror Inc.)
Mastering engineer: Mark Donahue (Soundmirror Inc.)
Editor: Blanton Alspaugh (Soundmirror Inc.)
Chandos mastering: Jonathan Cooper
A & R administrator: Sue Shortridge