Beethoven: Complete Piano Trios, Vol 4 - Van Baerle Trio
Challenge Classics CC 72782
Classical - Chamber
Beethoven: Piano Trio in B flat major, Op. 97 'Archduke', Allegretto in B flat major, WoO 39, Piano Trio in E flat major, WoO 38, Variations on 'Ich bin der Schneider Kakadu', Op. 121a
Van Baerle Trio
Beethoven’s most famous piano trio is dedicated to the Archduke Rudolph, himself an accomplished musician. The importance of Rudolph as a patron can be seen in the number of other prominent works that Beethoven dedicated to him. Beethoven started work on the trio in the second half of 1810, but much of the work was done in March of the next year. Some descriptions give an inkling of how novel a composition this was perceived to be, and a young Ignaz Moscheles reported: “In the case of how many compositions is the word ‘new’ misapplied! But never in Beethoven's, and least of all in this, which again is full of originality.”
A year after the Archduke, Beethoven wrote another piano trio in B-flat major. The autograph dates it 26 June 1812, but besides the similarity in key it is different in every way. It consists of a single movement, was not published during the composer’s lifetime, and was written to encourage the nine-year-old Maximiliane Brentano in her piano playing.
The Trio in E-flat WoO 38 might have been once intended to be part of op. 1 and although there are no extant sketches to support this, the style of the composition makes a dating of around 1790-1 plausible. The trio contains some surprising twists and turns, particularly in its lengthy codas.
The last piece for piano trio that Beethoven published during his lifetime has one of the longest compositional histories of all of his works. It consists of a long introduction, followed by ten variations on ‘Ich bin der Schneider Kakadu’ from Wilhelm Müller’s popular opera Die Schwestern von Prag. The first version of this piece was probably composed between 1801 and 1803, but it was substantially revised in 1816, and most likely further revised before publication in 1824. This final trio therefore includes elements from Beethoven’s early, middle, and late styles.
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Review by Adrian Quanjer - October 19, 2019
In my review of the first volume, I expressed the hope that ‘complete’ would mean ‘complete’, as some minor trios, as well as some hybrids (Op. 63, Hess 47 and WoO Anhang 3), could be overlooked. With this final volume I’m happy to say that, with the exception of said hybrids, which are, indeed, not regular piano trios, all have been included, completing this set to the full.
So, all the more reason to complement Challenge Classics for having recorded this set with this relatively new, but in the meantime clearly established Dutch trio, using the services of Bert van der Wolf's superior engineering, guaranteeing such fine sound and such delicate detail.
Although I’m sure this set is now a firm contender to any other (more or less) complete release in any format, it is the only and therefore top choice in Super Audio. And rightly so.
Good news! I've just learned that there will be a further volume: Triple Concerto Op. 56 and Piano Trio Op. 38, which is Beethoven's own arrangement of the Septet Op. 20
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