SearchsearchUseruser

Dire Straits: Making Movies

Dire Straits: Making Movies

Mobile Fidelity  UDSACD 2186

Stereo Hybrid

Pop/Rock


Dire Straits


Cinematic Landscapes and Intricate Passages Sound Sublime: Mastered from Original Master Tapes, Features Audiophile Dynamics
Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.

Mastered from the original master tapes, Mobile Fidelity's hybrid SACD of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record – which contains many Springsteen-esque elements – features the cleanliness and clarity that have long been Dire Straits trademarks. Compared to all prior digital editions, this disc features previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.

You know you're in the presence of sonic greatness as soon as the first few seconds of the opening "Tunnel of Love" pass, as the introductory passage built on organ and piano – new additions to Dire Straits' palette – intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity SACD is alone worth the price of admission. Crisp, rich, and balanced, the sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.

Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.

The album's power isn't lost on Iovine, who later told Rolling Stone: "The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that."

Indeed, the first five tracks – "Tunnel of Love," "Romeo and Juliet," "Skateaway," "Expresso Love," "Hand in Hand" – comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.

Support this site by purchasing from these vendors:

amazon.ca
amazon.co.uk
amazon.com
amazon.com.au
amazon.de
amazon.es
amazon.fr
amazon.it
 
 
jpc
 

Add to your wish list | library

 

3 of 3 recommend this, would you recommend it?  yes | no

All
show
Tracks
show
hide
1. Tunnel of Love
2. Romeo and Juliet
3. Skateaway
4. Expresso Love
5. Hand in Hand
6. Solid Rock
7. Les Boys
Comments (1)
show
hide

Comment by Downunderman - June 25, 2020 (1 of 1)

Quite different from the 2012/2014 JSACD, in just about every way.

The MoFi gives you the warts and all version - a good thing as it turns out, whilst in comparison the JSACD appears to have had quite a bit of pimping.....and may have been based on a 1996 'master'.

The MoFi is organic to a fault. For example there is a noticeable amount of bloom around the drums in particular and the bass is natural sounding and more prominent. The JSACD has tightened all this up and removed the bloom. The JSACD also has the vocals and guitar more up front in the mix. Whereas the MoFi has a more evenhanded and natural sounding approach, with nothing particularly elevated in the mix.

Interestingly, the MoFi sounds as if it is running ever so slightly slower. If so, this could also be a factor in the darker sound and more relaxed delivery presented by the MoFi.

My wife described the JSACD sound as coming from one point, whereas the MoFi sounds as if it comes from different points - a comparative thumbs up on the MoFi sound stage presentation!

The comparative character of vocals is also notable. On the JSACD the vocals have a more matter of fact delivery, whilst on the MoFi they have a greater emotional sheen to them. Something that helps bring out the emotional journey and rescues the final track to some extent by giving it a greater emotional context and linking it more firmly to the rest of the album. The final track is still not a favorite, but at least i can now better understand the point of it being there.

In summation - The JSACD sounds like the 80's, the MoFi sounds like Dire Straits.