I wonder as I wander - Newby, Middleton

BIS BIS-2475
Stereo/Multichannel Hybrid
Classical - Vocal
Benjamin Britten (arr.): I wonder as I wander, There’s none to soothe, Folk Song Arrangements, Vol. 4 - At the mid hour of night (Molly, my Dear), The last rose of summer (Groves of blarney), Sail on , sail on (The humming of the ban)
Franz Schubert: Der Wanderer, D 489, Der Wanderer, D 649, Auf der Donau, D 553, Im Freien, D 880, Abendstern, D 806
Ludwig van Beethoven: Adelaide, Op. 46, Maigesang, Op. 52 No. 4, An die ferne Geliebte, Op. 98
Gustav Mahler: Zu Straßburg auf der Schanz, Revelge, Urlicht
James Newby, baritone
Joseph Middleton, piano
When deciding on the repertoire for his début disc, James Newby's first choice fell on An die ferne Geliebte, songs that he had been performing ever since the beginning of his career. But Beethoven's song cycle - and perhaps even more so the quasi-operatic Adelaide - also sets a tone for the entire disc, that of longing and of wanting to be elsewhere, near the distant beloved. These are emotions that Schubert, perhaps more than any other composer, has plumbed in depth, and Newby went on to select five of his songs that in various ways depict the restlessness and loneliness of the eternal wanderer.
Mahler is another composer who knew something about longing - for instance that it can be deadly, which he demonstrated with his Zu Straßburg auf der Schanz, in which a soldier awaits execution after trying to desert to his homeland while the piano imitates the muffled rolling of drums. The military theme continues in the high-strung Revelge, as a young soldier marches towards his death, thinking about his sweetheart with ever-greater desperation. The final song by Mahler, Urlicht, expresses the anguish and pain of earthly life, and the longing for Heaven and, in effect, death. Framing this program with five folk song arrangements by Benjamin Britten, James Newby and Joseph Middleton, his partner at the piano, explore Man's never-ending search (geographical or psychological) for that distant object of desire: who, what or wherever it may be.
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- Ludwig van Beethoven: Adelaide, Op. 46
- Ludwig van Beethoven: An die ferne Geliebte (6), Op. 98
- Ludwig van Beethoven: Lieder (8), Op. 52 No. 4 Maigesang
- Benjamin Britten: Folksong Arrangements
- Gustav Mahler: Des Knaben Wunderhorn (1892-1901) Revelge
- Gustav Mahler: Des Knaben Wunderhorn (1892-1901) Urlicht
- Gustav Mahler: Lieder und Gesänge III (1887-90) Zu Strassburg auf der Schantz
- Franz Schubert: Abendstern, D 806
- Franz Schubert: Auf der Donau, D 553
- Franz Schubert: Der Wanderer, D 489 (Version 1)
- Franz Schubert: Der Wanderer, D 649
- Franz Schubert: Im Freien, D 880
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