Saint-Saëns: Symphony No. 3 - Kantorow

BIS BIS-2470
Stereo/Multichannel Hybrid
Classical - Orchestral
Saint-Saëns: Symphony No. 3*, Symphony 'Urbs Roma'
Thierry Escaich* (organ)
Orchestre Philharmonique Royal de Liege
Jean-Jacques Kantorow (conductor)
The present album is the second of two recorded by the Orchester Philharmonique Royal de Liege and Jean-Jacques Kantorow to commemorate the centenary of the death of Camille Saint-Saëns. On the first installment the team offered us' deeply impressive performances in stunning sound '(theclassicreview.com) of the composer's first and second symphonies and the unnumbered Symphony in A major, but now the time has come for Saint-Saëns' crowning glory in the symphonic genre: his Symphony No. 3 in C minor, generally known as the 'Organ Symphony'. The work was composed in 1886, and Saint-Saëns had planned to dedicate it to Liszt but the latter's death the same year caused the dedication in the published score to be modified to 'in memory of Franz Liszt'. It is written for a larger orchestra than his previous symphonies, with the unusual addition of a piano and an organ - the two instruments that Liszt (and Saint-Saëns himself) favored. Without being a virtuoso vehicle, the organ part is central to the work - especially in the grandiose ending - and it is here performed by the renowned organist Thierry Escaich, playing the great organ of Liege's Salle Philharmonique.
On the disc, the symphony is preceded by the 'Urbs Roma' symphony, composed in 1856 by a 21-year-old Saint-Saëns. It was written for a competition, and its title - 'the city of Rome' - was one of the subjects prescribed by the organisers. In the absence of an explanation by the composer, it is unclear how the music relates to the subject. Another enigma is why Saint-Saëns omitted the symphony from his catalog of works, even though it actually won him a first prize. In consequence, 'Urbs Roma' remained unpublished until 1974 and is rarely heard even today.
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Comment by Marcus DiBenedetto - March 3, 2022 (1 of 1)
Once again, I have come to appreciate, a new to me, composer: Saint-Saëns. Based on positive reviews of Kantorow's earlier release, "Symphonies 1 & 2, Symphony in A major", I downloaded, in surround, both albums. Obviously, Symphony #3 is the more popular piece recorded on 28 SACDs. I thought this album is excellent. Sonics are outstanding. Soundstage width and depth are superb. Instrument clarity is excellent. Reviews were generally very positive with a few quibbles over the robustness of the Organ. Apparently, conductor Charles Munch with the Boston Symphony Orchestra is the "gold" standard for this Symphony. I do not own it but has been remastered twice into surround and released on SACD. David Hurwitz supports this view as well. Maybe I'll get the SACD to find out if it truly is a much better performance. This would be educational for me. But, I am very pleased with the Kantorow discs. I am also very happy to discover Saint-Saëns music. Rich melodies and easy to become emotionally connected.
Marcus DiBenedetto
Las Vegas, NV