Sounds and Sweet Airs: A Shakespeare Songbook - Sampson, Williams, Middleton

BIS BIS-2653
Stereo/Multichannel Hybrid
Classical - Vocal
Songs by Arne, Beach, Bridge, Britten, Castelnuovo-Tedesco, Coleridge-Taylor, Cornelius, Dankworth, Dring, Frances-Hoad, Gurney, Haydn, Honegger, Horder, Ireland, Kendall, Moeran, Parry, Poulenc, Schubert, R Schumann, Smith, Sullivan, Tippett, Vaughan Williams, Williams, Wolf
Carolyn Sampson (soprano)
Roderick Williams (baritone)
Joseph Middleton (piano)
The 37 songs in this recital, written by 27 composers – male, female, English, French, Swiss, German, Romantic, modern and contemporary – bear witness to the richness of Shakespeare’s works to which this recital is dedicated.
Organised in the form of a play in five acts, including prologue and epilogue, the songs, which include several duets, are in turn cheerful and sad, light and profound, classical and jazzy – thus allowing, in Carolyn Sampson’s words, ‘a breadth of responses to these great texts’. Alongside well-known melodies, such as those by Schubert, there are musical adaptations by different composers of the same texts, as well as a contemporary reflection for the two voices by Hannah Kendall exploring the question of gender fluidity and identity through the elusive character of Rosalind from As You Like It.
After many acclaimed releases on BIS, including Album für die Frau, a collection of songs by Clara and Robert Schumann, A Soprano’s Schubertiade and Elysium, two Schubert recitals, as well as a number of themed recitals, some of which were named ‘Recording of the Month’ by MusicWeb International and ‘CD-Tipp’ by BR Klassik, Carolyn Sampson and Joseph Middleton are joined here by renowned British baritone Roderick Williams.
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- Thomas Arne: Under the Greenwood Tree
- Amy Beach: Fairy Lullaby
- Frank Bridge: Blow, Blow Thou Winter Wind, H. 33
- Benjamin Britten: Fancie
- Mario Castelnuovo-Tedesco: Shakespeare Songs Book VI, Op. 24a No. 2 Arise
- Samuel Coleridge-Taylor: The Willow Song
- Peter Cornelius: Duets (4), Op.16 No. 3 Komm herbei, Tod
- John Dankworth: Shall I compare thee to a summer's day?
- Madeleine Dring: Take, O Take Those Lips Away
- Cheryl Frances-Hoad: They Bore him Barefaced on a Bier
- Ivor Gurney: Under the Greenwood Tree
- Joseph Haydn: She never told her love - Lied, Hob. XXVIa:34
- Arthur Honegger: Chants d'Ariel (2), H 48b
- Mervyn Horder: Under the Greenwood Tree
- John Ireland: Full Fathom Five (1908)
- John Ireland: Songs of a Wayfarer (5) (1912) No. 2 When daffodils begin to peer
- Hannah Kendall: Rosalind (2020)
- Ernest John Moeran: Shakespeare Songs (1940) The Lover and his Lass
- Charles Hubert Hastings Parry: Sonnet LXXXVII
- Francis Poulenc: Fancie, FP 174
- Franz Schubert: Horch, horch! die Lerch, D 889
- Franz Schubert: Salve Regina in B flat major, D 106
- Franz Schubert: Trinklied, D 888
- Robert Schumann: Lieder und Gesänge (5), Op. 127 No. 5 Schlusslied des Narren
- John Christopher Smith: You Spotted Snakes
- Arthur Sullivan: Orpheus with his lute
- Michael Tippett: Songs for Ariel (3)
- Ralph Vaughan Williams: Dirge for Fidele (1895)
- Roderick Williams: Sigh No More, Ladies
- Hugo Wolf: Gedichte (4) (1888-96) No. 2 Lied des transferierten Zettel
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