This is a companion release to the Mehta Bruckner 9 but is rather less impressive, I fear. The Solti 7th was recorded in the Sofiensaal on 28th of October, 1965, just 3 days ...
Have obviously not heard this (yet) but if it's anything like as good as what was achieved for Britten: War Requiem - Britten, then the sound will be as good as ...
Given that my CD set cost less than £20 many years back, and given that the set is now on Discogs for just £2.18, this is very interesting indeed. But the cost to bring this ...
The Sound is very poor. That is very surprising, because all other SACDs of BIS are well done as nd recorded. But in this case, the sound engineer should be fired. I have ...
For those, like me, who had not come across a campanula before: https://www.thestrad.com/the-campanula-a-new-option-for-stringed-instrument-players/5362.article
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Comments (1)
Comment by Downunderman - June 26, 2024 (1 of 1)
Kip Hanrahan's work is quite idiosyncratic. Described variously as Afro-Cuban Jazz, Fusion and Latin Jazz but somehow those descriptions don't quite cover the overall vibe of his albums.
A fair number of his albums were reissued on SACD in 2007 and this is the only one that still remains in print in Japan.
This one was originally released in 1985. The SACD remaster here was done by Greg Calbi and he has done a surprisingly good job on it.
The album was clearly well recorded, and Calbi does not seem to have tinkered with what was on tape to any noticeable extent.
It has a warm smooth analog patina and is surprisingly full sounding. As a bonus there is also no evidence of any treble boost.
Kip Hanrahan is certainly for the more adventurous, but on this SACD at least you are unlikely to be disappointed with how it sounds!
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Comment by Downunderman - June 26, 2024 (1 of 1)
Kip Hanrahan's work is quite idiosyncratic. Described variously as Afro-Cuban Jazz, Fusion and Latin Jazz but somehow those descriptions don't quite cover the overall vibe of his albums.
A fair number of his albums were reissued on SACD in 2007 and this is the only one that still remains in print in Japan.
This one was originally released in 1985. The SACD remaster here was done by Greg Calbi and he has done a surprisingly good job on it.
The album was clearly well recorded, and Calbi does not seem to have tinkered with what was on tape to any noticeable extent.
It has a warm smooth analog patina and is surprisingly full sounding. As a bonus there is also no evidence of any treble boost.
Kip Hanrahan is certainly for the more adventurous, but on this SACD at least you are unlikely to be disappointed with how it sounds!