Beethoven: Overtures - Davis
Classical - Orchestral
Beethoven: The Ruins of Athens Op. 113, Coriolan Op. 62, Leonore No. 1 Op 138, The Creatures of Prometheus Op. 43, Egmont Op. 84, Leonore No. 3 Op. 72a, Fidelio Op. 72b
Symponie-Orchester des Bayerischen Rundfunks
Sir Colin Davis (conductor)
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- Ludwig van Beethoven: Coriolan - Overture, Op. 62
- Ludwig van Beethoven: Die Geschöpfe des Prometheus - Overture, Op. 43 'The Creatures of Prometheus'
- Ludwig van Beethoven: Die Ruinen von Athen - Overture, Op. 113 'The Ruins of Athens'
- Ludwig van Beethoven: Egmont - Overture, Op. 84
- Ludwig van Beethoven: Fidelio - Overture, Op. 72
- Ludwig van Beethoven: Leonore Overture No. 1, Op. 138
- Ludwig van Beethoven: Leonore Overture No. 3, Op. 72b
Review by Graham Williams - October 2, 2008
This SACD is something of a rare beast these days. It is a hybrid 2-channel DSD remastering of a CBS disc recorded in the Herculessaal, Munich in October 1985 and now issued by the Teac Esoteric Company as a limited edition. These seven Beethoven overtures, recorded a couple of years after Colin Davis had been appointed chief conductor of the Bavarian Radio Symphony Orchestra, are a testament to the monumental approach that Davis has always taken in his Beethoven performances. They are weighty, large scale (some would say old fashioned) readings of these overtures eschewing any suggestion of period practices. To many listeners the advantage of this approach is that the drama, power and seriousness of Beethoven’s epic creations are never short changed and I found them both exciting and immensely satisfying.
The Bavarian Radio Symphony Orchestra responds to Davis’s approach with total commitment and absolutely magnificent playing throughout. Strings are, by turns, lithe and rich, brass incisive and timpani firmly defined, while the perfectly blended and cultured woodwind playing sparkles with character. The recording captures the full range of the music’s dynamics with great accuracy and the very realistic orchestral image appears to wonderfully solid between the two speakers.
The accompanying notes are predominantly in Japanese, but with one page about the music in English. More information about the technical side of this remastering can be found at http://www.teac.com/esoteric/Cables_Accessories.html
It is also worth noting that all the performances are free from any vocalisations by the conductor that have sometimes marred his most recent recordings.
Very highly recommended.
Copyright © 2008 Graham Williams and HRAudio.net