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Beethoven: Symphonies 1 & 6 - Osmo Vänskä

Beethoven: Symphonies 1 & 6 - Osmo Vänskä

BIS  BIS-SACD-1716

Stereo/Multichannel Hybrid

Classical - Orchestral


Beethoven: Symphony No. 1 in C major Op. 21, Symphony No. 6 in F major Op. 68 "Pastoral"

Minnesota Orchestra
Osmo Vänskä (conductor)


The fact that Beethoven was nearly thirty before he completed his First Symphony is indicative of his great respect for the genre. His careful preparations included a year of regular lessons with Haydn, the ‘father of the symphony’, as well as the composing of piano sonatas and piano trios that exhibit distinctively symphonic elements. Meanwhile he mastered the art of writing for orchestra by composing a number of concertos. As we know, these preparations paid off and the First Symphony has been part of the repertoire ever since its première in 1800.

Already some years later Beethoven sketched some ideas for an orchestral work based on pastoral themes, but again he took his time in bringing them to fruition. The sketches were laid aside until 1808 when Beethoven, in his Symphony No.6, took up the challenge of combining two highly different traditions: the symphony genre and the pastoral idiom. As Beethoven scholar Barry Cooper states in his liner notes to this disc, ‘Beethoven’s great achievement was to reconcile two opposing elements, so that the work is thoroughly pastoral in character yet thoroughly symphonic in form.’

Together, Symphonies Nos 1 and 6 make up the fourth instalment of the Beethoven Cycle of Osmo Vänskä and Minnesota Orchestra, a cycle which has received almost universal praise. It follows upon a Ninth Symphony which the reviewer in BBC Music Magazine termed ‘a Beethoven Ninth of our times’ and designated a benchmark recording, an Eroica containing ‘one of the finest performances of the Funeral March ever recorded’ (Classics Today.com), an Eighth described as ‘terrifically taut, yet playful’ (The Times, UK), and a Fourth and a Fifth which the Financial Times called ‘the modern Beethoven recording par excellence’.

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PCM recording

Recorded in June 2007 at Orchestra Hall, Minneapolis, Minnesota, USA

Recording producer: Robert Suff

Sound engineer: Ingo Petry

Technical engineer: Thore Brinkmann

Digital editing: Matthias Spitzbarth

Mix/mastering: Ingo Petry, Matthias Spitzbarth

Equipment: Neumann microphones; RME Octamic D microphone preamplifier and high resolution A/D converter; MADI optical cabling; Yamaha DM1000 digital mixer; Sequoia Workstation; Pyramix DSD Workstation (SACD); B&W Nautilus 802 loudspeakers; Sennheiser headphones.

Executive producers: Robert von Bahr, Robert Suff

24/44.1
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Comment by Luketsu - August 7, 2017 (1 of 2)

This is one of those BIS SACDs that was recorded in 24/44.1 just a little bit better resolution than regular CDs. Does it change anything when recording discs like this? Is this hi-res at all? When listening in MCH the experience was pleasant but they could have achieved more realistic soundfield with higher resolution.

Comment by Adrian Quanjer - August 18, 2017 (2 of 2)

Quite right. The playing is fine, but my ears prefered the superior recording of RCA (Deutsche Kammerphilharmonie, Bremen, Paavo Järvi) or Challenge Classics (The Netherlands Symphony Orchestra, Jan Willem de Vriend).