On several occasions, others and I have expressed concern about the continuity of SACD. Times change, everybody is in a hurry, ears are blocked by daily noise, and the ...
What left a lasting impression on me while listening to this SACD is the incredible depth and transparency of both the orchestral sound and the soundstage. At least through ...
A fellow site member kindly allowed me to audition the Hemiolia SACD for review purposes.
Based on listening and comparing waveforms, I now think the Hemiolia SACD was ...
Last night I listened once more to Beethoven's 5th in Honeck's personalised interpretation. I found it difficult to set the volume at a realistic level. At times it was either ...
There is a relevant discussion here on a German site (some of it in English, the rest easily translatable), which states it (the Hemiolia) is derived from Job Reel C. Also ...
Longjohns: Many thanks for the link to the jpc.de discussion thread.
In front of me as I write this comment is the MoFi Kind of Blue SACD. On the inside cover, there is a ...
The Hemiola label uses production master tapes (tapes sent to LP pressing plants) as the source for their own tape copies, and for the Miles Davis SACD. The Hemiola release ...
Already own the first edition John Hammond: Rough & Tough, catalogue reference SACD346, and I find it really great to see it reissued for all hose who missed ...