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Bruhns: Complete Organ Works - Kelemen

Bruhns: Complete Organ Works - Kelemen

Oehms Classics  OC 641

Stereo/Multichannel Hybrid

Classical - Instrumental


Nicolaus Bruhns:
Präludien en G (pedaliter); Präludium & Fuga ex Ges (pedaliter); Adagio in D (nach C transponiert); Nun komm der Heyden Heyland; Präludium ex E com Pedahl "lesser" (nach d-moll transponiert); Präludium en Es "great" (pedaliter / nach d-moll transponiert)

Schildt: Gleichwie das Feuer; Magnificat 1.Modi; Allein Gott in der Hohe sey Ehr; Paduana Lachrymae nach Dowland

Joseph Kelemen (organ)


Joseph Kelemen is now presenting the third album in his series of recordings on historic organs focusing on the North German school of organ-playing. For his recordings, Kelemen invariably chooses instruments which are linked as closely as possible with the respective composer.

Nicolaus Bruhns was one of the most influential representatives of an increasingly emancipated, emotional, rhetorical style, the stylus phantasticus. Bruhns was born in 1665 near Husum, and his teachers included Dietrich Buxtehude. J.S. Bach was a particular admirer of Bruhns. The complete works for organ recorded here are rounded off by organ works by Melchior Schildt, who was approximately one generation older than Bruhns. His teachers included Jan Pieterszoon Sweelinck in Amsterdam. Until his death in 1667, he was the organist of the market church in Hanover.

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