Poulenc: Secular Choral Music - Straube

MDG Gold 947 1595-6
Stereo/Multichannel Hybrid
Classical - Vocal
Francis Poulenc: Chansons francaises, Chanson a boire, 7 Chansons, Petites voix, Un soir de neige, Figure humaine
Norddeutscher Figuralchor
Jörg Straube
Chansons populaires
On its first CD on MDG the Norddeutscher Figuralchor under the conductor Jörg Straube ranges over the broad spectrum of Francis Poulenc’s secular choral music. The Figuralchor demonstrates its own musical multifacetedness and great professionalism in a program including this French composer’s very first choral composition, the Chanson à boire sung by male choir, his settings of popular poems, the Chansons françaises of folk character, and the Figure humaine enlisting up to eight parts.
Cheers!
Francis Poulenc was from a very musical Parisian family. He learned to play the piano from his mother. As a young man he was influenced by Igor Stravinsky and Maurice Chevalier and just as much by French vaudeville and soon chanced upon a group of composers led by Erik Satie and Jean Cocteau, known as “Les Six.” Is this the environment that gave rise to his drinking song? While piano music predominates in Poulenc’s early music, his friendships with Montparnasse poets, including Guillaume Apollinaire, inspired him to compose many choral works.
Liberté française
Poulenc composed the cantata Figure humaine in 1943 as an act of resistance at the time of the German occupation. Poulenc set texts critical of the regime by Paul Éluard, his favorite poet. The cantata was smuggled to England prior to the end of the war and was premiered there in a translation in January 1945. The French premiere was not held until 1947, that is, not on the day of liberation (as Poulenc had hoped). Challenges to the singers pervade the work, and in the concluding chord alone the score calls for three-line E from the second soprano.
Hats Off!
During the three decades since its founding the Norddeutscher Figuralchor has become one of Germany’s leading chamber choirs. The singers and their conductor Jörg Straube have repeatedly been awarded prizes at German choir competitions, and their CD recordings have thrice won the Echo Klassik award. The choir has also received various distinctions at international competitions. Its repertoire spans five centuries and includes contemporary music. The romantic choral literature and the music of the baroque form a special focus in the work of the Figuralchor.
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Review by John Broggio - April 26, 2010
A gorgeous disc of a capella choral music.
A high proportion of the music here dates from during or immediately after the second world war and contains a mixture of innocence (the 'Chansons françaises') and poignant outpourings ('Un soir de neige' and 'Figure humaine'). There is also an appropriately youthful drinking song ('Chanson à boire') and two collections of songs from 1936 ('Sept chansons' and 'Petites voix'). As is common in much of Poulenc's music, he is wont to take a well known form and style and subtly subvert it to telling effect, which is certainly the case in the 'Chansons françaises'.
The opening collection ('Chansons françaises') is a lovely mixture of works for mixed chorus and for the men alone and the 8 songs run to a total of 19 minutes in this account. The drinking song is for men only whereas the the 'Petites voix' are a collection of 5 miniatures for "3 children's voices" sung here by the females of the Norddeutscher Figuralchor. The intervening 'Sept Chansons' are for mixed chorus, as is the four movement "small chamber cantata" 'Un soir de neige'. 'Figure humaine' is the most complex work (still under 20 minutes) and is written for a mixed double choir; rightly this is placed last on the disc. A feature that is common to many of the songs here is the use of Paul Eluard's poetry as an inspiration, a nod to Poulenc's wish to be seen as part of the surrealist movement of the times.
Throughout the Norddeutscher Figuralchor under Jörg Straube convey the variety of textures (from a glowing richness to frequently stark harmonies) with an admirable conviction and sense of style. One can barely keep a dry eye as the 'Figure humaine' draws to a close with the pained expression to Liberty (composed as an act of resistance against the German occupation). This is not the only moment when the emotions are almost unbearable, partly due to the music, partly the text and in no small matter the eloquence and directness of the performances - the wartime 'Un soir de neige' is similarly evocative and moving.
English translations of the French are provided in the booklet (the German equivalent is available from the MDG website) and whilst the notes are brief, they are informative and interesting. The sound (2+2+2 as usual) is good without being exceptional.
Highly recommended.
Copyright © 2010 John Broggio and HRAudio.net
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