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Recent comments

Kirill Petrenko and the Berliner Philharmoniker: The beginning of a partnership | DYB - Yesterday 07:06 pm

I agree with John, I think the performances here are excellent.

Mahler: 9 Symphonies - Harding, Nelsons, Dudamel, Nézet-Séguin, Petrenko, Rattle, Haitink, Abbado | Sintolt the Hegeling - January 6, 2021

The text of this comment has been deleted by the moderator. Reason: Off topic.

Mahler: Symphony No. 6 - Boulez | Tony Reif - January 6, 2021

Rainer Maillard of Emil Berliner Studios was the Tonmeister on this recording, so I emailed him asking him about how it was recorded. His reply: "The recording was done in ...

Mahler: 9 Symphonies - Harding, Nelsons, Dudamel, Nézet-Séguin, Petrenko, Rattle, Haitink, Abbado | DYB - January 4, 2021

I think Berliner Philharmoniker's live recordings are PCM 24/48, unless recordings are intended for commercial release from the get-go, in which case they have been at ...

Mahler: Symphony No. 6 - Boulez | Steven Harrison - January 7, 2021

Tony, Wow, thanks for that truly interesting post. Pity that the proper remastering was not done here. Of course if Esoteric requested that in the licensing agreement, the fee ...

Kirill Petrenko and the Berliner Philharmoniker: The beginning of a partnership | John Broggio - January 7, 2021

Depending on how much the "plusses" appeal, I would strongly recommend it - even though you (like me) may end up skipping some of the performances.

Mahler: Symphony No. 6 - Boulez | Tony Reif - January 3, 2021

Hmm, that's interesting. Even though the 4D converters were claimed to be 21-bit, it may be that DG, at the time of Boulez's Mahler 6 (May 1994), were dithering the signal to ...

Saint-Saëns: Piano Concertos 3-5 - Kantorow, Kantorow | David Stanbury - January 3, 2021

Thanks for your comments, Phillip. I'll play the disk for my wife to get her opinion. But I don't understand what John means by the "Egyptian".

Oscar Peterson Trio: We Get Requests

Analogue Productions  CVRJ 8606 SA

Stereo/Multichannel Hybrid

Jazz

Oscar Peterson (piano)
Ray Brown (bass)
Ed Thigpen (drums)


Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.

Playable in 3-channel. Mastered from the original 3-track tapes.

When Jim Davis started producing records at Verve, he changed the company's recording philosophy toward its most prolific instrumentalist. Where Norman Granz had produced countless Oscar Peterson albums dedicated to the popular song, Davis was more interested in making albums closer to how the Peterson trio sounded live. His first Peterson records were the legendary London House sessions. By the time of this album, there had been no personnel change in the trio for five years - so it is no surprise that the rapport among the musicians here is telepathic.

Originally released in 1964.

All

Recording

Analogue recording

Tracks

1. Quiet Nights Of Quiet Stars (Corcovado)
2. Days Of Wine And Roses
3. My One And Only Love
4. People
5. Have You Met Miss Jones?
6. You Look Good To Me
7. The Girl From Ipanema
8. D. & E.
9. Time And Again
10. Goodbye J.D.

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