Sibelius: Lemminkäinen Suite, The Wood-Nymph - Vänskä
BIS BIS-1745 SACD
Classical - Orchestral
Sibelius: Lemminkäinen Suite, Op. 22; Skogsrået (The Wood-Nymph), Op.15
Lahti Symphony Orchestra
Osmo Vänskä (conductor)
Jean Sibelius is best known for his seven symphonies and violin concerto – two genres usually thought of as ‘absolute music’. But in 1894, well before he composed his first symphony, Sibelius described himself in quite different terms: ‘really I am a tone painter and poet’.
It was around this time that he was working on the two works presented here, both tone poems which spring from an extra-musical inspiration. The source of the Lemminkäinen Suite is the Finnish national epic Kalevala, and its four movements – of which especially The Swan of Tuonela is often performed separately – tell of the adventures of the young hero Lemminkäinen: his amorous escapades on a paradisiacal island peopled only by women, his journey to the land of the dead (Tuonela) and how he himself dies there only to be brought back to life by his mother’s magic spells; and finally his return home after a long series of wars and battles.
The Kalevala furnished Sibelius with the subjects of many other compositions, but for The Wood-Nymph, it was a poem by the Swedish poet Viktor Rydberg that provided the inspiration – the story of a carefree young man who, lost in a forest, encounters a nymph and is seduced by her, only to realize that the incident has cost him any chance of worldly happiness.
Although Sibelius’ tone poem was warmly received at its première in 1895, it was not published in the composer’s lifetime, and soon disappeared from the concert repertoire. The first complete performance of the work in almost 100 years took place only in 1996, with the performers on this disc, a team which has become almost synonymous with top-flight idiomatic Sibelius performances.
Recorded in November 2006 and in October 2007 at the Sibelius Hall, Lahti, Finland, 24/44.1
The Swan of Tuonela, Lemminkäinen’s Return and Skogsrået were previously released on BIS-1645 SACD and have been remastered for the present release.
Producer: Robert Suff
Sound engineer: Hans Kipfer
Equipment: BIS’s recording teams use microphones from Neumann and Schoeps, audio electronics from RME, Lake People and DirectOut, MADI optical cabling technology, monitoring equipment from B&W, STAX and Sennheiser, and Sequoia and Pyramix digital audio workstations.
Post-production: Editing: Nora Brandenburg, Elisabeth Kemper, Matthias Spitzbarth
Mixing and remastering: Matthias Spitzbarth
Executive producer: Robert Suff